The Power of Goal Setting Essay - 575 Words

The Power of Goal Setting Too many of us treat goal setting the same way. We dream about what we want to do, but we dont have a plan to carry out that dream. A mapped out goal is superior to a dream. You must have a plan. Dreams are merely thoughts or ideas, but, we need more than to simply scribble down some ideas on a piece of paper. Our goals need to be concise and focused. We must set both long-term and short-term goals, so for each short-term goal accomplished the long-term goals will seem easier to attain. As an example, a short-term goal for student of the University could be to accomplish each weekly assignment on time and to achieve significant working relationships with our other classmates. Short-term goals can easily be†¦show more content†¦These goals should present a picture to where you see yourself in the future. Either climbing up the ladder in your present occupation or moving onto something you have dreamed about all of your life. It has always been said, If you are doing something you love, its not work. There are several key elements to goal setting. 1. Make sure you are working for something you really want to achieve, and your goals should be consistent with your values. 2. A goal should not contradict any of your other goals. 3. To help focus energy toward attaining goals make sure they are written down. a. Make an A-list: Tasks that will get done before going to bed. b. Make a B-list: Menial tasks that you would like to get finished, but can be put off until later. c. Make a C-list: When these tasks get done, pigs will fly. Just to keep things fun, make a list that will be impossible to accomplish. Or you can make it a challenge list, which would amaze yourself, if you actually found the time to get it done. 4. Write your goals out in complete detail and visualize meeting this goal. 5. Make sure your goal is set high. You may start out small and build up more challenging goals to get comfortable with the process. Remember, short-term to long- term goals require baby steps. Review these goals daily, check off eachShow MoreRelatedDiversity Essay1109 Words   |  5 Pagescase it could not be satisfied by the individual. 2.  Goal setting is a powerful tool that managers can use to direct employee behavior. However under what conditions can goal setting lead to undesirable employee outcomes? Goal setting is a powerful tool, because it appears that when people sets themselves a goal, the will act in a manner that will allow them to fulfill this goal. Their behavior will be lead toward the fulfilling of this goal. According to Gibson, Ivancevich, Donnelly, and Konopaske  :Read MoreVision and Goal Setting Essay533 Words   |  3 Pagesan organization to the full potential requires goal setting and a common vision among leaders from all departments across the board. 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Strategies such as goal setting and job enrichment are ways to stay up to date with the always ­changing outside world. This is what was recommended for the Health Information Services (HIS) departments. How Are the Principles of Goal Setting Applied In this Case? While going over this case study, I have looked at goal setting from two different perspectives: The main and original goal of the HIS department, and the goal of re ­engineering, restructuring, work redesign

The Three Fronts Of Contemporary Psychology - 946 Words

The three fronts of contemporary psychology are behavioristic, humanistic and psychoanalytic. Behaviorism was labeled the primary front of psychology, and was a belief that behaviors can be measured, trained or changed. This is similar to how one person acts, compared to another person. A person’s belief may display how he or she will react towards a particular situation. This view was based on the proposition that behavior can be researched scientifically without recourse to inner mental states. Its main influences were Ivan Pavlov, who investigated classical conditioning, John B. Watson who rejected introspective methods and sought to restrict psychology to experimental laboratory methods. B.F. Skinner, sought to give ethical grounding to behaviorism, relating it to pragmatism. Behaviorism is primarily concerned with observable behavior which is behavior can be objectively and scientifically measured, as opposed to internal events like thinking and emotion. Behaviorists also believed that there is little difference between the learning that takes place in humans and that in other animals. Therefore, research could be carried out on animals as well as humans. Humanism is an approach in psychology that studies the whole person, and the uniqueness of each individual. It is based upon the concept that humans can overcome desperate, life-threatening situations. The cornerstone of humanistic thinking is a view of human motivation that is optimistic, up-lifting and redeeming.Show MoreRelatedDr. Franz Anton Mesmer s Theory Of Magnetism Essay1599 Words   |  7 Pagesdesigned to modify behavior for both short and long term periods of time. (Cardena, 2014) For example, chronic smokers often seek hypnosis in order to discard their unhealthy habit. In order to fully understand how it developed, its process, and its contemporary use, one must reference its somewhat accidental birth in 1770 by Dr. Franz Anton Mesmer. 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The Gods Must Be Crazy Film Free Essays

The funny film showed that the contrasting worlds of the civilized area and the primitive yet calm society of the bushmen manifest an also contrasting example of worlds in terms of the equation I = P x A x T, an equation formulated to describe the impact of human activity on the environment. [where Human Impact (I) on the environment equals the product of population (P), affluence (A: consumption per capita) and technology (T: environmental impact per unit of consumption)]. In the primitive population of the Bushmen, it would be believed and manifested in the film that their human impact on the environment of the Kalahari Desert is apparently less than that of the civilized world found on the city since the living Bushmen are not too many in number, they are just about twenty or so. We will write a custom essay sample on The Gods Must Be Crazy Film or any similar topic only for you Order Now Being primitive, they also had a very low level of technology. They are just using soft raw materials provided by their environment, thus, they cannot produce more products, putting their affluence also on a low level. In the civilized world somewhere in South Africa, the city, which is densely populated by busy civilized individuals (since the rise of the industrial societies equates to an exponentially increasing human population), greatly developed their technology which in return enormously aid in developing their affluence, has indeed a greater human impact on the environment of the area they are residing in South Africa relative to the primitive population of the bushmen living in the Kalahari Desert, as seen with the tall buildings, long roadways and road bridges and other landscapes that could attest to this great impact. How to cite The Gods Must Be Crazy Film, Papers

Sanskrit drama Essay Example For Students

Sanskrit drama Essay On a basic level of meaning the song just implies the movement of bees around the crest of the sirisa flower which are worn by women. Nati gives an erotic note to this where the bee represents a passionate lover kissing his beloved.  Structure of Sanskrit drama is identified in five stages, called Avasthas or states of mind in plot movement. The five Avasthas are â€Å"Aarambh or the beginning, Yatna or the effort (to bring out the rasa), Prapthyasha or the prospect, Niyatapti or the removal of obstacles, Phalagam which refers to obtaining the desired result† (Sanskrit drama – introduction). In Sakuntalam the linearity of this structure can be traced. Aarambh or the beginning is the Nandi or the invocation and the subsequent prologue, Yatna is to be seen at the point where Dusyanta and Sakuntala falls in love and their romance intertwined in the sentiments of sringara, both vipralambha and samyoga, Prapthyasha could consist of the events beginning from Sakuntala’s separation from Dusyanta, including the curse of Durvasav until Niyapati which comprises the straightening out of all the conflicts faced by the hero and the heroine. Finally Phalagam is the happy ending of the play which is the possible reunion of the major characters. The microcosmic world created by the dramatist includes the semi dramatic world- Purvaranga, comprises the music, performance, dance followed by the Nandi and Prastavana and the completely dramatic world i.e.; the play proper. There is thus a transition of the audience from the world of everyday reality to a dramatic world of the play proper. This is accomplished with the introduction of music and dance, the invocation or Nandi and the hinting within the Nandi through the speeches of the sutradhara and other minor characters. The play proper is meta-drama with reference to the prastavana or prologue. The concept of meta –drama or play within a play gives rise to the idea of the multiple roles of the sutradhara. In Sakuntalam, the sutradhara is the stage director as well as the creator and he holds the thread of the play and the action by doubling his identity as the director and the hero. In Sakuntalam, Dusyanta is the alter ego of the Sutradhara. Dusyanta, a king of the lunar race, happens to see sakuntala in the course of his hunting expedition and falls in love with her at first sight itself. This leads to their marriage according to the gandhrava rites. The story then proceeds to Dushyanta’s life as a king oblivious of the existence of his son. Sakuntala, who is cursed by sage durvasa, goes to the king but Dusyanta is unable to recognize her. Later however, the king remembers everything at the sight of the signet ring that he had given her. The play ends on a happy note of a possible reunion of the hero and the heroine. Kalidasa has however made a few additions to the story of sakuntala in the Mahabharata. The simple and quite unromantic account in the Mahabharata, is transformed thus. In the Mahabharata, sakuntala herself narrates the history of her birth to the king and their marriage is not a problem to them. Kalidasa created two characters, Anasuya and Priyamvada to make this entire situation more romantic and charming. The innocent and simple life of sakuntala and her maidens and the frankness of their minds are presented at the very beginning of the play proper to enhance the beauty of the play. Another deviation from the original is that sakuntala agrees to marry Dusyanta in the gandharva form of marriage on the condition that the son born to them should be recognized as the heir to his throne. Yet kalidasa with his imaginative genius weaves a tale so beautiful that the original is almost forgotten. â€Å"The curse of the sage Durvasas, the loss of the ring in the tirtha, and the consequent forgetfulness of the king are all a result of kalidasa’s creative excellence.† (Kale 47) The last two acts are purely original though. .u65e56c55b5d61f0c757ba20a88915713 , .u65e56c55b5d61f0c757ba20a88915713 .postImageUrl , .u65e56c55b5d61f0c757ba20a88915713 .centered-text-area { min-height: 80px; position: relative; } .u65e56c55b5d61f0c757ba20a88915713 , .u65e56c55b5d61f0c757ba20a88915713:hover , .u65e56c55b5d61f0c757ba20a88915713:visited , .u65e56c55b5d61f0c757ba20a88915713:active { border:0!important; } .u65e56c55b5d61f0c757ba20a88915713 .clearfix:after { content: ""; display: table; clear: both; } .u65e56c55b5d61f0c757ba20a88915713 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u65e56c55b5d61f0c757ba20a88915713:active , .u65e56c55b5d61f0c757ba20a88915713:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u65e56c55b5d61f0c757ba20a88915713 .centered-text-area { width: 100%; position: relative ; } .u65e56c55b5d61f0c757ba20a88915713 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u65e56c55b5d61f0c757ba20a88915713 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u65e56c55b5d61f0c757ba20a88915713 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u65e56c55b5d61f0c757ba20a88915713:hover .ctaButton { background-color: #34495E!important; } .u65e56c55b5d61f0c757ba20a88915713 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u65e56c55b5d61f0c757ba20a88915713 .u65e56c55b5d61f0c757ba20a88915713-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u65e56c55b5d61f0c757ba20a88915713:after { content: ""; display: block; clear: both; } READ: Flowers For Algernon EssayApart from the deviations and the structural implications like the Nandi and the prasthavana, other features of Sanskrit drama are clearly exemplified in Sakuntalam. Temporary union, separation and reunion are typical of Sanskrit plays. The first three acts of Sakuntalam could be associated with temporary union. The hunting expedition, the invitation of the hermits to Dusyanta for keeping guard in the hermitage for a few days and the love followed by the consummation of it are the three events in â€Å"ascending† order found in the first three acts. (Kale 50) Then the descent begins. The separation of the lovers and the consequent curse and loss of memory constitutes the misery of the characters. The curse of Durvasas which becomes the main reason for the separation happens in the fourth act. It develops throughout the fifth and the sixth act where there is a culmination of the pain in separation. This end when the story reaches a high point in the seventh act, where Dusyanta goes up to heaven to regain sakuntala. According to M.R Kale, Sakuntalam does not appear to have been written with the strictest attention to all canons of Sanskrit dramaturgy; only the main lines as laid down by Bharata and other old writers, have been followed. There is the benediction (Nandi) and the Bharatavakya as in the other plays. At the end of the prelude, Dusyanta who is a hero of the Dhirodatta class begins the play. Their union in marriage is the focus and the whole plot is to be rallied towards achieving this goal. On a general note, Sakuntalam is said to be the most widely read work of Kalidasa, like Raghuvamsa. It is a love drama belonging to the class of Rupakas which is known as ‘Nataka’. It is said to be highly elegant in language and style and consists of beautiful similes and comparisons. â€Å"The metres are fairly shorter and musical.† ( Kale 53) The solid proof of the plays superior nature in its language and story is the very fact that it has been translated into various languages across the globe invariable of the limitations it might face in terms of tradition and culture reflected in the plot. The play however is indicative of the various conventions of Sanskrit drama and the structure of Sanskrit drama is more or less followed showing justice to the story in Vyasa Mahabharata. Bibliography Primary source –  Ed.by. B. Stoler Miller. Sakuntala and the Ring of Recollection. Kalidasa.  Secondary source   Thapar. Romila. Sakuntala Texts, Readings, Histories.Columbia University Press.New Delhi, 1999. Print.  M. R. Kale. The Abhinjanasakuntalam of Kalidasa.Motilal Banarsidass.Delhi.1969.Print.